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Evan Maxwell's avatar

Jason, your last two methods of interview are particularly important in deciding whether a witness is telling the truth. Changing order, making a witness tell the story backwards, is particularly helpful when a witness may be providing a self-serving account based on lies about what happened. A lie is easy to remember, telling it forward. But telling it backward, or from a different perspective, does get confusing. Some witnesses with a stake in the outcome may have already constructed an elaborate and untruthful version of an event but it is harder to maintain their new narrative when they are forced into remembering the supporting details. Cops (patrolmen, detectives, intelligence agents, prosecutors) are often required to "break" a story that contradicts the narrative that has been developed from other witnesses, informants, and undercover operatives. Telling the story backwards, or confronting the interview subject with a new "fact" that contradicts their narrative, can force them into fumbling, mumbling or, if they are quick-minded, into inventing a new "fact" to explain away the contradiction. (And yes, sometimes police interviewers lie, telling subjects there is a "fact" that blow their innocence narrative out of the water. That's permitted in the US, but not, I think, in England. Some commentators may call that kind of lying "dirty pool," but courts here have often upheld it.) So witness interviews may be valuable in describing car wrecks or fresh criminal scenes. But once witnesses, even police officer witnesses, develop a vested interest in "what happened," the ground shifts. That's the basis of Rashomon and it also applies in my favorite Western movie, The Man Who Shot Liberty Valance.

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Karl Straub's avatar

Another winner— fascinating piece.

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